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1964 fender musicmaster 2 pics11/19/2023 With the Deluxe, you get a lot more bass response and plenty more clean headroom. Moving up to one 12” speaker and about 20 watts with up both reverb and non-reverb models, the Deluxe amp is like a Princeton on steroids. Reverb: single channel, Volume, Treble, Bass, Speed, Intensity and Reverb controls.Non-Reverb: single channel, Volume, Treble, Bass, Speed and Intensity controls.Tuxedo model: single channel, Volume, Tone, Speed and Intensity controls.The Princeton Reverb, on the other hand, has an extra 12AX7 preamp tube which gives it a more overdriven sound when the volume is pushed. Plus, unlike the Reverb models, the non-reverb Princeton amp offers a significant amount of clean headroom. Also, the non-reverb models cost a lot less than the reverb amps. Its existence in the shadow of its reverb-capable brother is a shame, as it offers some of the finest pure Fender tones you can find in a compact package. Overshadowed by the Princeton Reverb, which is widely considered one of the most famous studio amps ever built, the non-reverb Princeton is a sleeper hit. Issued from mid-1963 to mid-1964, the tuxedo amps featured Blackface cosmetics, but were very snazzy looking with white barrel knobs. The tuxedo was the result of the ever-thrifty Leo Fender wanting to use up the remaining “brownface” Princeton Amp chassis and cabinets. ![]() Mic’d, they can be used even in medium to large venues. Small, light and, like all Blackface Fenders, built like a tank, Princetons are a favorite of many guitarists (and harp players) for studio and live use. Each version featured a single 10” speaker and about 12 watts of output. Once again, Fender issued three distinct variants of the Princeton amp during the Blackface era: the transitional “tuxedo” model, as well as reverb and non-reverb models in the new “Princeton” style. ![]() Vibro Champ: one channel, volume, treble, bass, speed and intensity controls.Champ: one channel, volume, treble, bass controls.Tweed Style: one channel, single volume control.Just grab your guitar and this little powerhouse and head out to the gig. And of course, your Champ can be mic’d to be used in just about any size venue. Immediately popular for studio use, they also found favor from musicians playing small gigs. These amps, fondly referred to as the “lunch box,” were sold by the thousands to students and professionals alike. The new style Champ and Vibro Champ amps featured slanting control panels.Īll of these amps put out about 4 watts and had a single 8” speaker. After all, he was the guy who reused his styrofoam cup for coffee. Beginning in late 1963 and continuing into mid-1964, Fender used up remaining old “Tweed style” Champ chassis and cabinets, but with Blackface cosmetics Leo Fender was famously known as a skinflint when it came to minimizing production costs. ![]() In this guide, we’ll learn a bit about each of the amps in the Blackface lineup, including performance attributes, key tech specs, and famous users.įender offered three versions of the Champ during the Blackface period. Built like a proverbial tank, these 50-plus-year-old amps will be rocking way into the future. Attesting to Leo Fender’s engineering genius, Blackface Fenders are legendary for their rock-solid reliability. Fender offered a full range of amps in their Blackface line, ranging from the diminutive Champ to the massive Twin Reverb.Ĭosmetically, the amps featured the aforementioned black control panels with white lettering, black tolex protective covering, and silver thread grill cloth. They continue to be a backline and recording mainstay of musicians who seek a great, chimey Fender clean and, when pushed, a classic overdriven tone. Certain words and phrases pique the interest of vintage guitar players and collectors worldwide, like “ Burst,” “Blackguard,” “Plexi,” and “Blackface.” Named for their black control panels, Blackface Fender amps are one of the company’s most famous and coveted product series.īlackface Fender amps tend to be categorized into two groups by collectors and players: “Pre-CBS” (mid-1963 to mid-1965) models with a “Fender Electric Instrument Company” label and “CBS” (mid-1965 to mid-1968) models with a “Fender Musical Instrument” label.īlackface amps were immediately popular upon release and used on numerous famous recordings.
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